Tarantino fans, may we have your attention please. Mia Wallace’s iconic Pulp Fiction suit, worn during her night out with Vincent Vega (John Travolta), is heading to auction.
Famously sported by Uma Thurman while performing the twist at Jack Rabbit Slim’s, the white shirt and black trouser pairing will be available to purchase in Propstore’s upcoming Summer Entertainment Memorabilia Live Auction, taking place August 26 – 29, 2026, in Los Angeles.
Estimated at $15,000 – $20,000, the look is one of many legendary pop culture relics up for grabs, alongside Jennifer Connelly’s screen-matched waistcoat, shirt and brooch from Jim Henson’s Labyrinth (1986), John Travolta’s white dancing suit from dark musical Saturday Night Fever (1977), Johnny Depp’s scissorhands from Tim Burton’s beloved Edward Scissorhands (1990) and Jake ‘Joliet’ Blues sunglasses, worn by the late great John Belushi, from 1980 musical comedy The Blues Brothers.
© Courtesy of Betsy HeimannAdditional costumes available for purchase from Pulp Fiction include Jules Winnfield’s interrogation suit and screen-matched diner swim shorts, Marsellus Wallace’s blazer and shirt from the car attack scene, plus Honey Bunny’s diner robbery costume.
The auction will offer over 1,700 lots of film and television props, costumes, autographed treasures, and other entertainment memorabilia, with a combined pre-sale estimate of $10 million. Collectors worldwide can participate through live online, absentee, and telephone bidding.
Costumes going to auction:
© Saturday Night Fever
© Pulp Fiction
© The Wolf of Wall Street
© Good Will Hunting
© Skyfall
© Edward ScissorhandsMia’s memorable outfit was crafted by costume designer Betsy Heimann, who we also have to thank for onscreen ensembles including Penny Lane’s signature coat from Cameron Crowe’s Almost Famous, and the crisp, white shirts and beetle suits of Tarantino’s Reservoir Dogs – also available to buy in the auction.
“I’m used to creating a world,” Betsy previously told H! Fashion. “The world exists in the purview of my script, the script that somebody has written and somebody is directing, and I’m designing the costumes. I’m dealing with characters. I’m taking them from beginning, middle to end. Where were they the week before this movie started? Where are they going when this movie is over? How do we make that transition? Does the character make a transition, or is he the kind of person who is stuck in a rut and we just say, here he is in this outfit?”
She also offered insight into working with directorial giant Tarantino on several films: “He was so enthusiastic. His enthusiasm was contagious. It was so delightful and he was very interested in my ideas and very trusting in both Reservoir Dogs and Pulp Fiction. It really was a true collaboration and I enjoyed every minute of it.”
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