All the Easter eggs from Taylor Swift’s ‘The Life of a Showgirl: The Encore’

Leave it to Taylor Swift to turn just four new songs into a full-blown Easter egg hunt.

The pop superstar dropped “The Life of a Showgirl: The Encore” Friday, giving Swifties four more tracks to dissect: “Patient Zero,” “Cleveland!,” “Pink Clouding” and “Babylon.”

Swift, 36, announced the deluxe edition of her 12th studio album, 2025’s “The Life of a Showgirl,” Wednesday.

“About a year ago, you guys did a truly unfathomable thing. Something that completely blew my mind … You gave ‘The Life of a Showgirl’ the biggest first week for an album in history,” she wrote on Instagram at the time.

The “Opalite” singer explained that she traveled to Sweden with her longtime collaborators, Max Martin and Shellback, after the album came out last October — where they wrote four more songs.

“I hope you love them, because they were born out of pure gratitude for your exuberance for and celebration of the album we made,” she added of the new tracks.

The announcement came just one day after Swift revealed her new single, “Patient Zero,” writing on Instagram that she’d “been impatiently waiting to tell” fans about it.

Keep reading for all of the Easter eggs Page Six found hiding in every track.

Travis Kelce reference

After dedicating several songs to then-fiancé Travis Kelce in the initial release of “TLOAS,” Swift added a couple more nods to the NFL player in her “Encore.”

In “Cleveland!,” Swift sings about understanding the critics who attack her dancing, her looks and even her fashion sense. However, none of that matters because her “baby likes what he likes.”

Referring to Kelce’s hometown of Cleveland Heights, Ohio, she sings, “He already took me to Cleveland / And showed me The Heights! / So hate all you like / This is the love of my life.”

Swift also gushes, “You only need to find one person in this entire world / Who doesn’t find you completely insufferable / And I have an important announcement to make / I found mine!”

Towards the end of the song, she alludes to their July 3 nuptials by singing that she is “now […] wearing white.”

A girl’s girl

Swift kicks off “Encore” with “Patient Zero,” a song about befriending her ex’s current girlfriend and ultimately becoming a girl’s girl.

She describes herself as “patient zero,” meaning that she was the first to experience the emotional damage caused by his love and manipulation.

“If you wanna party with somebody who might know / About the devil on his shoulder under his halo / When the toxins take their hold, you’d rather die than let it go / But if you’re sick of him, I got you, I was patient zero,” she sings after mentioning that the new girlfriend called her to confide about their issues.

As to who the song could be about, well, it’s for any friend who is currently dating or has dated one of her exes …. hint, hint.

Addressing the critics

A common theme in Swift’s music is clapping back at critics who don’t believe in her or continuously try to put her down with personal digs.

In “Cleveland!,” Swift opens by listing all of the criticism she’s constantly subjected to, such as “She’s not as hot as she was, but she was only a four / She was never a girls’ girl, she was just a— / And with all of that money, why’s she dressed like trash? / When she smiles, it’s annoying, and have you seen her stumbling clumsily?

“Would you even call that dancing?” she adds before diving into how Kelce actually loves all of those things about her.

An apologetic villain

In true Taylor Swift style, the 14-time Grammy winner paints herself as an apologetic villain in “Pink Clouding” à la “Getaway Car” and “Back to December.”

Pink clouding is described as a phase in early addiction recovery marked by intense euphoria, optimism and a false sense of absolute confidence — which is exactly what she describes in this song.

“Neither of us knew at the time / That I was a liar,” she sings at the beginning before hitting the pre-chorus, “And it was so good / Letting you want me / So good / To make promises, promises / But I was pink clouding from the thrill of it.”

Though it’s unclear who the song is about, it could be interpreted as an apology — and an olive branch — to all the relationships and friendships she’s lost over the last couple of years.

“I hope you realized my kind of trouble wasn’t worth it / And the way I treated you, you never deserved it/ And I swear to God, to this day / I wake up scared that I left scars on a good person / And I gave you zero reason to believe it / So be it / But it didn’t mean nothing / Just ’cause I could leave it,” she sings.

Could this explain the reconciliation between her former best friend, Karlie Kloss, ahead of her wedding?

The recurring theme of ‘Babylon’

The last addition to Swift’s “Encore” is “Babylon,” which is a recurring theme in her writing.

Fans might recognize her talking about the ancient city in the “Folklore” track, “a cowboy like me,” where she sings, “Now you hang from my lips like the Gardens of Babylon / With your boots beneath my bed, forever is the sweetest con.”

These two songs are arguably two sides of the same story: a relationship slowly crumbling because of one character’s desire for success and money. And as Swifties may know, not every song has a real-life inspiration: it could just be brilliant storytelling.

“The Encore” comes just shy of the first anniversary of “The Life of a Showgirl,” which dropped Oct. 3, 2025. (See our breakdown of that album’s Easter eggs here.)

The original album saw the release of singles like “The Fate of Ophelia,” “Opalite” and “Elizabeth Taylor” and included a duet with Sabrina Carpenter on the title track.

With these four new songs, the deluxe edition now brings the total number of songs to 16.

“The Life of a Showgirl” is nominated for best album at the 2026 MTV Video Music Awards this Sunday, where she’ll debut the music video for “Patient Zero.”